Passion vs. Propriety: Monteverdi's 'The Coronation of Poppea'

WOO-1432-Poppea-250Remember Dangerous Liaisons? It was an edgy, 1988 Oscar-winner from director Stephen Frears, based on an 18th-century French novel with the same title, and it's hard to imagine a movie -- or a novel, or a play or an opera, for that matter -- with a more appropriate title. The film is filled with liaisons, and they're all dangerous on any number of levels.

The same title might also have been given to Claudio Monteverdi's 1643 opera, The Coronation of Poppea, another story of troublesome, and even life-threatening relationships.

But there's one, intriguing difference between the 20th-century movie and the 17th-century opera -- one that shows us how times have changed, but in unexpected ways.

In the film, all the characters seem to get what's coming to them, in conventional terms of right and wrong. The truly innocent characters are spared from ultimate harm, except for one who is actually martyred to the cause of righteousness.

The villains get their just deserts. The amoral rake played by John Malkovich winds up dead after a duel of honor. And the scheming Marquise played by Glenn Close -- a character who says her favorite word is "cruelty" -- suffers what may be an even sterner fate, at least in her social circles. She's subjected to a humiliating, public "hooting," as she takes her box seat at the opera.

So, as provocative as the film is, it's also a traditional sort of morality play: The good are sanctified and rewarded, while the evil are reviled and left in oblivion.

A similar conflict is set up in Monteverdi's opera, in which another pair of philandering lovers try to quench their desires at the expense of established, moral conventions. But the outcome is hardly traditional.

The Coronation of Poppea was written in Venice, in the midst of a lively, intellectual debate over the relative value of spiritual ideals versus sensual pleasures. In the opera, that debate turns up in a conflict between loyalty and lust -- and lust is the runaway winner. A faithful wife is humiliated and cast aside. A noble champion of reason and civility is condemned, and commits suicide. And the two, flagrantly illicit lovers? They wind up with exactly what they wanted -- the freedom to enjoy unfettered bliss, extolled in one of opera's most sensuous duets.

World of Opera, host Lisa Simeone presents The Coronation of Poppea in a production from the Paris National Opera, from the Palais Garnier. The stars, who sing the famous duet, are mezzo-soprano Karine Deshayes as Poppea, and tenor Jeremy Ovenden as Nero, in a performance led by conductor Rinaldo Alessandrini.